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features nearly a dozen portraits of women in Florence created between 1440 and 1540. These paintings, marble sculptures, medals, and drawings reflect a time when subjects in art expanded to include not only rulers and their consorts but also women of the merchant class. (National Gallery of Art)
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In the first half of the sixteenth century, portraits became larger and included more of the sitter's body. This new type originated with Leonardo's Mona Lisa, which portrays the sitter in a relaxed pose with her hands resting in her lap. Bronzino reflected Leonardo's influence in his Portrait of a Lady, thought to represent Francesca Salviati at the time of her second marriage to Ottaviano de' Medici. |
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Fantasy beauty |
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